So to explain my process before I show you my finished piece, I began this work by drawing the ball and the backgrounds and filming it using the Take 5. I then took these layers into After Effects and composited them and finally added colour to each individual frame (not before fighting with myself about whether I thought Orange or red would be a better colour) then rendering the finished piece.

So here it is-

When Balls Go Bad - Development

Carrying on my development of the when balls go bad project. I began to design the tree's in my animation and also the way in which the colour bled from the orange.

My trees were influenced by Dr. Seuss's truffula trees.

and my decision to make the orange puddles appear more like paint splatters than just orange puddles comes from Sega's The Unfinished Swan.

Where the whole environment is revealed through paint splatters. I liked this concept and enjoy the idea of my vision slowly being revealed as the ball bounces through the scene.

In addition to using these ideas as references I also looked at this:

(Please not that since I used this as a reference [accessed 16/10/13] the video has been edited so it no longer shows the segment of the video I considered, apologies.) 

The latter part of this video, mime for a change, involves bubbles colouring in the town after all the colour is removed from it. This is another idea that influenced my decision making regarding the aesthetics of my animation. I decided that that crude a colouring method wasn't something I would strive for but rather strive for a more coherent seeping of colour.

I have decided to hand draw the background and motion of the ball then I will input it into Photoshop or after effects to add the layers of colour. I thought this would be symbolic of two aspects of modernism which I could then include in my defence of my project. The hand drawn part speaks of the truth to materials that modernist found valuable in there work as a hand drawn animation you can see exactly what was done, nothing's hidden. Then the digital application of the colour relates to modernist use of technology. As it allows me to play around with the speed at which I allow the colour to seep and also the vibrancy of the colour itself.

Lastly to aid in the construction of this animation (and because my brain is an organisational mess and needs all the help it can get) I created myself a little time table/ check list to follow through the completion of the project:

I separated the project out into movements, backgrounds and colour development, then proceeded to layer them over each other so I knew exactly what stage which part happens at. This way I should be able to track my progress and keep a close eye on my time across the remaining two weeks.

When Balls Go Bad 2

My next idea was that it could fall off a tree.

 This felt natural and like the orange would bounce better. It would drop from higher and allow me to do a lot more with the movement. So then I began to think about what it could do. I struggled with ideas for quite some time until I was looking through "The Dictionary of Imaginary Places" By Alberto Manguel and discovered an all white island. This concept intrigued me as I had already decided the orange's colour was important in this animation. I had already considered what the orange might do in an environment that suited it but now I was thinking about what it would do if it found itself in an environment that  didn't suit it.

I began thinking about how I could use the orange's colour to help me impact the environment or vies versa. I decided that having the orange change into something else could be an interesting concept and began to think about how the inhabitance of the island would act if suddenly faced with colour.

Using the idea of modernism and truth to materials. (which is already true of an orange.) I thought that the inhabitance could try to use the orange for many other things. Stop lights, paint or jewellery but the orange would always just be an orange. 

Then it occurred to me that this wasn't using any of the principles I was trying to show in this work. The ball would not actually bouncing or obviously effecting the environment. At a stretch I could say that it was a societal impact but that would really be pushing it. 

So moving on from that I began to think about a slightly more direct approach. I knew already that a simple black and white background would symbolise modernism as they removed a lot of ornamentation and decoration from their designs.

I developed an island that I thought might look like this. Then I thought to myself "You know that's quite sad" and from this my mind related this simple lifeless environment to the state of Europe at the birth of modernism. I thought I would then use the concept of utopia that the modernist strived for to inspire my animation. 

From this I developed an idea where the ball would be the only coloured object around but as it bounced it would bring colour and life to its surroundings. 

I then prepared a storyboard to help me visualise my ideas and began working.

When Balls Go Bad

So for our next project we're putting the balls from bouncy bouncy into an environment. Either the ball or the environment have to be effected in the animation and we need to use everything we've learnt so far. So from bouncy bouncy I decided myself that I would work on the way my animations finished as I was told that when the ball came to a stop it didn't feel natural and also my spacing as it was generally felt that in some places the ball sped up when it shouldn't or bounced to high where it wouldn't. In this project I hope to work on these aspects to get a smoother running animation.

So I decided to chose my orange to per-sue into this project. The aspects I am taking from that project forward is the strong element of colour and the black line round the outside.

So when I began thinking first about where I would usually find an orange. So my first thoughts were:

In a kitchen.

For this concept I kept in mind that Jared had asked us to think about cause and effect and I began thinking about this animation:

As it's set in a kitchen it came to my mind very quickly when I thought about how my ball could move in a kitchen. I thought about this freezing idea and on a tangent I came up with an idea.

I thought that the orange could bounce out the bowl or roll out a bag, then roll over the switch on the kettle, setting it off. Following this the condensation would cause the room to dampen. From here I thought it could bounce of the freezer door opening it and freezing the condensation into sheets of ice. Lastly I wanted the ball to bounce off the washing machine causing it to start and then shake the ground and make ice cubes.

Our ideas had to be influenced by something we were doing in first year outside of studio work, which actually left us with very little options. I decided to relate my animations to modernism and this is why I picked a kitchen. The modernist designed the basic idea for the contemporary kitchen after measuring how much time is wasted in a woman's day by the old design. They made kitchens efficient and this was an idea I thought about playing with. 

However in the end I decided to disregard this idea as I thought it didn't have enough focus on the ball and would be more work than I had time for. 

Bouncy Bouncy - The Third Ball

For my third and final ball, I chose to make it an orange. I made this decision because I thought it would be a bit different to other balls. It's made of all natural materials that will bruise and sustain damage as it impacts the ground. Like the bouncy ball I spent a few days observing the way it bounced.

I wanted it to start of very round and then as it bounced I wanted it to leak and sustain damage and become a bit misshapen. Having watched it bounce I noticed that when dropped from a low height it hardly bounced but when dropped from a higher height it bounced and it would make more sense in terms of the damage the orange would receive if it was dropped from higher.

Next I turned my attention to the design of the orange itself. I knew it had to communicate as an orange easily so I knew black and white was probably not going to cut it... BUT I tried it anyway!

This one looks more like a potato or the moon and not an orange.

This one was better but I wasn't sure it said orange quite yet. So I got thinking how are oranges normally represented by people? and the most obvious one I could think of was the Good Food logo:

It's fairly straight forward although always rather obvious it's an orange. This combined with looking at my actual orange produced these orange ideas:

I liked the idea of an increased number of dots from my original design and colouring it all orange instead of just adding a little orange definitely, well, said orange. I decided that the spot the stalk had been removed from was more of a star shape than a circle and finally it doesn't look right brown. Which landed me with the orange on the bottom left. Horay! But I was concerned it looked too much like a tomato with the shape of the base of the stalk. So I did a quick side by side.

And luckily it didn't, in fact, a tomato done to the same effect barley resembles a  tomato and my orange looks perfectly orang-y by comparison.

Now, the orange juice. I tried out three possibilities for the orange juice. Firstly not colouring it in at all, which was too much of a contrast with the orange to be orange juice, then all coloured orange, which I believed was too much orange then, third time's the charm, I brought the colour in from the edges, leaving a shine at the top of the orange juice. This hinted that it was orange juice enough to understand and wasn't to distracting from the main object in the sequence: the orange.

Then all there was left to do was ensure I was keeping the rotation constant which I did by making it move clockwise so I wouldn't forget which way it was rolling.

I am happy with the finished sequence however if I was to do it again I would like to make the rotation faster as I think it would move faster than it currently does but non the less I am pleased!

Bouncy bouncy - The second ball

So I then began developing the bouncy ball idea. I began by deciding how I thought the ball would move.

In addition to using this footage, from a project at the Utah State University where they dropped 20,000 bouncy balls from a helicopter, I also spent several days bouncing a bouncy ball of any surface I could find. (Resulting in a number of occasions where I found myself crawling around the studio floor in an attempt to find it.) In the end I realised it would bounce higher and closer together than a regular rubber ball.

I next turned my attention to it's appearance. I knew I had to make it different in appearance to the rubber ball. Having examined my own bouncy ball and a few others. I realised they are typically marbled. 

              

However after several attempts to make it appear marbled it just looked scribbly and beaten up instead of the desired marbled effect. I also tried colouring the ball in a pure almost luminous colour however that didn't aid to distinguish it from any other ball. In the end I decided I would just make it smaller and allow it's actions speak instead.

Then I thought about how to make it move. In my initial idea I wanted the bouncy ball to bounce of the edges of the screen, which is commonly used to demonstrate the fast paced, erratic movement of a bouncy ball, so I began looking at how the ball reacted when it impacted something. I couldn't decide if I thought it would still move in arcs or if because it was not allowed to complete it's arc if it would move in more straight lines. 

And after a talk with Jared, I decided to scrap this idea almost totally and just make the ball bounce in a straight line across the screen. And the final thing looks like this-

In the end I am very pleased with this, I feel it's simplicity gets the job done and having learnt from the first ball it has a much more measured stretch and squish.

Bouncy Bouncy Part 2 - Ideas

The next stage to bouncy bouncy was to pick two materials that would significantly alter the trajectory of the bounce. When I started to investigate my options my first thought was what constitutes a significant change. I decided that a good change would be if it bounced lower or higher. Firstly I looked at lower.

I decided that heavier objects such as metal ball-bearings or solid plastics would bounce much lower so would lighter objects without much substance such as balls of paper or hairballs. I also decided wood wouldn't bounce much but I believe it would have bounced a bit more than these materials based on the kind of wood. 

 Then I began to think about other possibilities aside from weight such as gravitational pull, a different bounce trajectory and natural objects.

I liked the idea of the moon impacting in the ground however I felt that it didn't meet the expectations set in the project brief. It didn't bounce, it just hit the ground at great speed. I considered a pom pom because when I dropped one it very often bounced backwards. Which I thought was a clever idea but if that was the only difference then I wasn't demonstrating any skill. Finally I decided I liked the idea of the orange as there was a lot I could play about with. 

In addition I decided I liked the bouncy ball idea as it would bounce much higher and closer together than an ordinary bouncy ball. 

The continuation of the bouncing ball

So following my original attempt at the bouncing ball, I attempted to lessen the squash in order to make the bounce more believable.

I feel it worked and created a more believable bounce, however the light quality for these cells was different as I filmed them in the morning rather than late afternoon, to resolve this problem I just decided to film the whole sequence again.

This created an even light balance through-out the whole sequence as well as a more accurate bouncing effect.

The beginning of the bouncing ball

So to begin with the bouncing ball project, I was asked to follow these steps and create one standard bouncing ball...

And then chose and investigate two other materials that would change the sequence and influence the balls bounce and trajectory. When creating my original bouncing ball I encountered problems with the squash of the ball. I soon realised that the ball was squashing too much and this was causing the sequence to appear un-realistic